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Eddie’s quietly falling more and more in love with Steve with every car ride—every time it’s raining, and he watches as Steve does a stupid little run with an umbrella to the front porch so Robin won’t mess up her hair before a marching band concert.
Falling in love with the constancy of it, with every little routine Steve does. It takes a few weeks of listening for Eddie to figure out that when Steve first half-sings, “Good mornin’,” as everyone clambers into the car that he’s imitating the song from Singin’ in the Rain.
Falling in love with how Steve always, always either has the radio on or a tape playing something that he can sing along to, drumming his fingers on the steering wheel. How the car’s always this chaotic space but always, always brimming with love and joy—Steve snapping his fingers every few minutes, like, “Oh, Rob, this is our song! You know, when the—yeah, the shift when—no, not that one, the other time that—” (Eddie discovers with fond amusement that many, many songs share the title of ‘Robin and Steve’s song.’)
Steve singing along to the chorus of Mr. Blue Sky whenever Dustin’s called shotgun in the front, and Eddie soon realises, his heart fit to burst, that it’s because Steve must associate the song with Dustin; that he does the same thing with everyone he gives rides to, like it comes so naturally to him, his love for each person intertwined with each song, like he’s making the melody anew every time.
Eddie, tipsy from ‘Graduation Champagne’ courtesy of Nancy, asks Steve once if he has a song tied to him.
“Ah,” Steve says, smiling and bright-eyed in his role as the designated driver, “you have a whole damn catalogue, Eddie.”
And… oh.
Well, Eddie reasons, heart skipping a beat, he doesn’t need to know all of them at once, then. He doesn’t mind waiting, letting each one unfold, like unwrapping an expensive chocolate.
One night the two of them are driving back to Hawkins alone, having spent the day at a mall shopping for Robin’s birthday. They really didn’t need to spend the whole day, had already got her presents within the first couple of hours, but they dawdled, messed around, tried on increasingly ridiculous hats and sunglasses to make the other laugh.
And Steve fiddles with the radio until he finds an obscure station that just plays songs from musicals. And yeah, he sings along, but his voice is a little restrained, almost like he’s shy. Eddie looks at him with a soft smile, suddenly knows he’s seeing something precious, something Steve perhaps reserves for car rides alone. That Steve is letting him into a private moment.
“You have a real pretty voice, man,” he murmurs, quiet enough that they could pretend it goes unheard under the noise of the car driving along.
But as Steve looks ahead, he smiles, and his ears turn red.
He goes for it for the rest of the ride, voice back to its normal volume. He plays it up, trying to make Eddie laugh while they’re waiting for traffic lights to change. Catches his eye and damn near trills, “I feel fizzy and funny and fine, and so pretty, Miss America can just resign.”
And of course, Eddie laughs. Feels his stomach swoop. He knows what this feeling is. Oh, he knows.
As the West Side Story tribute ends, Steve’s voice drops back to his normal register. Turns gentle and sincere as he glances at his wing mirror and sings, almost to himself, “For I’m loved by a pretty wonderful boy.”
Yes, Eddie thinks, you are, you are, you are.